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Art Basel Exhibition: Fourth Wave Feminist, The Photographic Works of Leah Schrager, with Robert Adanto's film, THE F WORD

  • 30 Nov 2016
  • 5:30 PM
  • 04 Dec 2016
  • 8:30 PM
  • Miami Beach Cinematheque at Historic City Hall, 1130 Washington Ave, South Beach
  • 60


ART BASEL EXHIBITION:

WED NOV 30-SUN DEC 04:

(Exhibition opens WED NOV 30 at 5:30p

and also can be viewed:

THU, DEC 01 & FRI DEC 02 6:15p-9:15p

and SAT & SUN DEC 03 & 04 3p-8:30p)

 

WED, NOV 30:

5:30pm Exhibition opening

6:30pm film and Q&A

Fourth Wave Feminist

The photographic works of

Leah Schrager

Curated by Robert Adanto


with Robert Adanto’s film The F Word

Documentary directed by ROBERT ADANTO/2015/95mins.

Featured artists: Narcissister, Ann Hirsch, Go! Push Pops, Leah Schrager, Kate Durbin, Rebecca Goyette, Rachel Mason, Rafia Santana, Damali Abrams, Faith Holland, Claudia Bitran, Michelle Charles, and Sadaf


Robert Adanto's The F Word explores radical “4th wave” feminist performance through interviews with a new generation of feminist artists who use their bodies as subject matter. Because the female body continues to be politicized and policed, and because these artists delve into the fecund territory of female sexuality, self-objectification, and the female form as a site of resistance, many remain marginalized by the mainstream art world. Brooklyn-based Leah Schrager, well known for her performance practice, Naked Therapy, states, “As soon as you introduce a bit of sexiness or sexuality into an artwork it suddenly becomes questionable. Just because something elicits arousal or shows elements of sexiness does absolutely not make it not art.” While some 4th wave artists, like Ann Hirsch and Kate Durbin, choose to analyze representations of female identity through digital media, others, like the radical, queer, transnational feminist art collective, Go! Push Pops, explore sexuality and gender in pop culture in the digital age. As feminist lecturer Kristen Sollee explains, 4th wavers, unlike their predecessors, “are not afraid to be ‘girly’, (or) to be hyper-feminine, or to wear a mini-skirt, to self-objectify” in the service of challenging patriarchal oppression or sexist ideals.

Complimentary Admission

(Arrive early for seating. First come first served)

WED, NOV 30, 5:30p exhibition opening, 6:30p film & Q&A


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