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Miami Theatrical Premiere Engagement! THE MAN WHO KILLED DON QUIXOTE

  • 02 Jun 2019
  • 6:45 PM - 9:00 PM
  • Miami Beach Cinematheque at Historic City Hall, 1130 Washington Ave, South Beach
  • 60

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SUN, JUN 2, 6:45p:

Miami Theatrical Premiere Engagement!

THE MAN WHO KILLED DON QUIXOTE

Director Terry Gilliam/ Spain-France-Belgium-Portugal / 132min


Two decades in the making, Terry Gilliam’s wildly imaginative Cervantes adaptation is finally with us, and it’s everything we have come to expect from this visionary filmmaker.

Only a Terry Gilliam film could have spawned two ‘making of’ documentaries made almost two decades before the actual film is released.  For nearly three decdes Terry Gilliam has been attempting to adapt Miguel de Cervantes’ picaresque novel for the screen. Each time his effforts beseiged by a slew of troubles.  Nothing if not determined – and perhaps not dissimilar to the errant nobleman he is hellbent on bringing to the screen – Gilliam persisted and finally his madcap, humorously heraldic mission reaches us. Co-written by Tony Grisoni, Gilliam’s fellow traveller across all these years, The Man Who Killed Don Quixote is far from a straightforward adaptation of that classic book. The narrative switches between four worlds: a shoot in Spain where frazzled director Toby (Adam Driver) is attempting to film his own adaptation of Cervantes’ novel; a decade before, when Toby arrived in the same area and shot a low-budget black-and-white version; the filmmaker’s journey with the eponymous star of the first film (Jonathan Pryce) as they escape a series of ‘accidents’; and a hallucinatory dream world where characters from each of the narratives converge. Visually intoxicating, Gilliam offers up a jocular meditation on the pervasive influence of myths, the corrupting nature of power and – particularly relevant to this singular director – the insanity of the filmmaking process.

“Bears the hallmarks of this director at his broadest, nuttiest, and most extreme, with unhinged performances, overt symbolism, and a cacophonous story that has the logic of a thousand dreams happening simultaneously. It is an uncompromising work”-Village Voice

“Of course, Gilliam’s quest to make his Don Quixote film mirrors the original novel, and the movie he finally made is like a funhouse mirror version — filled with wonderfully, sometimes disturbingly strange imagery as tragedy meets comedy meets romance meets the noble glory of the artist sacrificing nearly everything in the quest to make lasting art”-Chicago Sun-Times

an absolute must-see for Gilliam fans and “film that never was” buffs. It’s a picture that crossed into legend long before it was actually, fully and completely in the can."-MovieNation


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