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Upcoming events

    • 20 Jul 2018
    • 5:00 PM
    • 22 Jul 2018
    • 9:00 PM
    • Miami Beach Cinematheque at Historic City Hall, 1130 Washington Ave, South Beach
    • 54
    Register

     

    FRI JULY 20-SUN, JULY 22:

    Miami Independent Film Festival

    MINDIE


    FRI, JULY 20:

    5pm- Short Film Block 1 - Student Films run time: 63 minutes

    6:00-6:30pm Q/A with filmmakers present

    6:30pm Documentary: '78 The Gateway (Nominated for Best Documentary at David Di Donatello 2018) run time: 52 minutes

    SAT, JULY 21:

    5:00pm -Casting workshop held by Monica Soirelle

    (casting producer of Moonlight)

    6:15pm Special Screening; The Bill Murray Stories-Life Lessons of a Mythological Man (Run Time 70mins)

    7:25pm Q/A with Filmmaker Tommy Avallone

    8pm Party at The Clinton Hotel (By Invitation Only)

    SUN, JULY 22:

    5pm Short Film block 2: run time 93 mins

    6:30pm  Feature Film - Just a Fling Run time 90 mins

    COMPLIMENTARY ADMISSION for all events!

    For full schedule CLICK HERE


    • 21 Jul 2018
    • 8:15 PM - 9:50 PM
    • Miami Beach Cinematheque at Historic City Hall, 1130 Washington Ave, South Beach
    • 57
    Register

     

    SAT, JULY 21, 8:15p:

    Miami Exclusive Premiere Engagement!

    EN EL SÉPTIMO DÍA

    (On the Seventh Day)

    Directed by JIM McKAY/2018/1hr, 37mins.

    With Fernando Cardona, Gilberto Jimenez, Abel Perez


    En el Séptimo Día follows a group of undocumented immigrants living in Sunset Park, Brooklyn over the course of seven days. Bicycle delivery guys, construction workers, dishwashers, deli workers and cotton candy vendors, they work long hours six days a week and then savor their day of rest on Sundays on the soccer fields of Sunset Park. José, a bicycle delivery worker, is the team's captain - young, talented, hardworking and responsible. When José's team makes it to the finals, he and his teammates are thrilled. But his boss throws a wrench into the celebration when he tells José he has to work on Sunday, the day of the finals. If he doesn't work, his job and his future will be on the line. But if he doesn't stand up for himself and his teammates, his dignity will be crushed.
    Shot in the neighborhoods of Sunset Park, Park Slope, and Gowanus, EN EL SÉPTIMO DÍA is a humane, sensitive and humorous window into a world rarely seen. The film’s impact is made quietly, with restraint and respect for the individual experiences, everyday challenges and small triumphs of its characters.

    (In Spanish and English with Spanish and English subtitles)


    ONE OF THE BEST FILMS OF THE YEAR SO FAR-Staff of Variety

    CRITIC’s PICK! "MOVIE MAGIC... The nonprofessional cast members are as compelling as any pros."-Ben Kenigsberg, The New York Times

    "McKay's control of tone and rhythm is in high gear, creating a work both thought-provoking and hugely entertaining."
    -Sheila O'Malley, RogerEbert.com

    "A feel-good crowdpleaser - a rousing sports movie about characters trapped by their surroundings and galvanized by their communal spirit."-Eric Kohn, IndieWire

    En el Séptimo Día is an intimate character study, but it’s also an excitingly kinetic film."-Amy Taubin, Art Forum




    • 22 Jul 2018
    • 8:15 PM - 9:50 PM
    • Miami Beach Cinematheque at Historic City Hall, 1130 Washington Ave, South Beach
    • 60
    Register

     

    SUN, JULY 22, 8:15p:

    Miami Exclusive Premiere Engagement!

    EN EL SÉPTIMO DÍA

    (On the Seventh Day)

    Directed by JIM McKAY/2018/1hr, 37mins.

    With Fernando Cardona, Gilberto Jimenez, Abel Perez


    En el Séptimo Día follows a group of undocumented immigrants living in Sunset Park, Brooklyn over the course of seven days. Bicycle delivery guys, construction workers, dishwashers, deli workers and cotton candy vendors, they work long hours six days a week and then savor their day of rest on Sundays on the soccer fields of Sunset Park. José, a bicycle delivery worker, is the team's captain - young, talented, hardworking and responsible. When José's team makes it to the finals, he and his teammates are thrilled. But his boss throws a wrench into the celebration when he tells José he has to work on Sunday, the day of the finals. If he doesn't work, his job and his future will be on the line. But if he doesn't stand up for himself and his teammates, his dignity will be crushed.
    Shot in the neighborhoods of Sunset Park, Park Slope, and Gowanus, EN EL SÉPTIMO DÍA is a humane, sensitive and humorous window into a world rarely seen. The film’s impact is made quietly, with restraint and respect for the individual experiences, everyday challenges and small triumphs of its characters.

    (In Spanish and English with Spanish and English subtitles)


    ONE OF THE BEST FILMS OF THE YEAR SO FAR-Staff of Variety

    CRITIC’s PICK! "MOVIE MAGIC... The nonprofessional cast members are as compelling as any pros."-Ben Kenigsberg, The New York Times

    "McKay's control of tone and rhythm is in high gear, creating a work both thought-provoking and hugely entertaining."
    -Sheila O'Malley, RogerEbert.com

    "A feel-good crowdpleaser - a rousing sports movie about characters trapped by their surroundings and galvanized by their communal spirit."-Eric Kohn, IndieWire

    En el Séptimo Día is an intimate character study, but it’s also an excitingly kinetic film."-Amy Taubin, Art Forum




    • 25 Jul 2018
    • 7:00 PM - 8:45 PM
    • Miami Beach Cinematheque at Historic City Hall, 1130 Washington Ave, South Beach
    • 60
    Register

     

    WED, JULY 25, 7p:

    Miami Beach Return Engagement!

    BACK BY POPULAR DEMAND

    For those who missed its

    May premiere engagement…


    Best of Cannes

    (Director’s Fortnight Award)

    THE RIDER

    Directed by CHLOÉ ZHAO/2017/1hr, 44mins

    With Brady Jandreau, Tim Jandreau, Lilly Jandreau,

    Lane Scott and Cat Clifford



    Based on his a true story, THE RIDER stars breakout Brady Jandreau as a once rising star of the rodeo circuit warned that his competition days are over after a tragic riding accident. Back home, Brady finds himself wondering what he has to live for when he can no longer do what gives him a sense of purpose: to ride and compete. In an attempt to regain control of his fate, Brady undertakes a search for new identity and tries to redefine his idea of what it means to be a man in the heartland of America.

    WINNER: Cannes Film Festival Director’s Fortnight Award

    International Cinephile Awards: Best Undistributed film of 2017

    Deuville Film Festival Grand Special Prize


    “THE BEST FILM OF 2017!”-Dana Keith, Miami Beach Cinematheque

    “CRITIC’S PICK: Utilizing a cast of non-actors—most of whom are tasked with playing versions of themselves, in a story pulled from their lives—Zhao’s film derives its power from the truth that both drives and inspires it, and the result is a WHOLLY UNIQUE SLICE OF LIFE DRAMA”-Kate Erbland, IndieWire   


    • 25 Jul 2018
    • 9:00 PM - 10:40 PM
    • Miami Beach Cinematheque at Historic City Hall, 1130 Washington Ave, South Beach
    • 60
    Register

     

    WED, JULY 25, 9p:

    Miami Exclusive Premiere Engagement!

    EN EL SÉPTIMO DÍA

    (On the Seventh Day)

    Directed by JIM McKAY/2018/1hr, 37mins.

    With Fernando Cardona, Gilberto Jimenez, Abel Perez


    En el Séptimo Día follows a group of undocumented immigrants living in Sunset Park, Brooklyn over the course of seven days. Bicycle delivery guys, construction workers, dishwashers, deli workers and cotton candy vendors, they work long hours six days a week and then savor their day of rest on Sundays on the soccer fields of Sunset Park. José, a bicycle delivery worker, is the team's captain - young, talented, hardworking and responsible. When José's team makes it to the finals, he and his teammates are thrilled. But his boss throws a wrench into the celebration when he tells José he has to work on Sunday, the day of the finals. If he doesn't work, his job and his future will be on the line. But if he doesn't stand up for himself and his teammates, his dignity will be crushed.
    Shot in the neighborhoods of Sunset Park, Park Slope, and Gowanus, EN EL SÉPTIMO DÍA is a humane, sensitive and humorous window into a world rarely seen. The film’s impact is made quietly, with restraint and respect for the individual experiences, everyday challenges and small triumphs of its characters.

    (In Spanish and English with Spanish and English subtitles)


    ONE OF THE BEST FILMS OF THE YEAR SO FAR-Staff of Variety

    CRITIC’s PICK! "MOVIE MAGIC... The nonprofessional cast members are as compelling as any pros."-Ben Kenigsberg, The New York Times

    "McKay's control of tone and rhythm is in high gear, creating a work both thought-provoking and hugely entertaining."
    -Sheila O'Malley, RogerEbert.com

    "A feel-good crowdpleaser - a rousing sports movie about characters trapped by their surroundings and galvanized by their communal spirit."-Eric Kohn, IndieWire

    En el Séptimo Día is an intimate character study, but it’s also an excitingly kinetic film."-Amy Taubin, Art Forum




    • 26 Jul 2018
    • 7:00 PM - 8:40 PM
    • Miami Beach Cinematheque at Historic City Hall, 1130 Washington Ave, South Beach
    • 60
    Register

     

    THU, JULY 26, 7p:

    Miami Exclusive Premiere Engagement!

    EN EL SÉPTIMO DÍA

    (On the Seventh Day)

    Directed by JIM McKAY/2018/1hr, 37mins.

    With Fernando Cardona, Gilberto Jimenez, Abel Perez


    En el Séptimo Día follows a group of undocumented immigrants living in Sunset Park, Brooklyn over the course of seven days. Bicycle delivery guys, construction workers, dishwashers, deli workers and cotton candy vendors, they work long hours six days a week and then savor their day of rest on Sundays on the soccer fields of Sunset Park. José, a bicycle delivery worker, is the team's captain - young, talented, hardworking and responsible. When José's team makes it to the finals, he and his teammates are thrilled. But his boss throws a wrench into the celebration when he tells José he has to work on Sunday, the day of the finals. If he doesn't work, his job and his future will be on the line. But if he doesn't stand up for himself and his teammates, his dignity will be crushed.
    Shot in the neighborhoods of Sunset Park, Park Slope, and Gowanus, EN EL SÉPTIMO DÍA is a humane, sensitive and humorous window into a world rarely seen. The film’s impact is made quietly, with restraint and respect for the individual experiences, everyday challenges and small triumphs of its characters.

    (In Spanish and English with Spanish and English subtitles)


    ONE OF THE BEST FILMS OF THE YEAR SO FAR-Staff of Variety

    CRITIC’s PICK! "MOVIE MAGIC... The nonprofessional cast members are as compelling as any pros."-Ben Kenigsberg, The New York Times

    "McKay's control of tone and rhythm is in high gear, creating a work both thought-provoking and hugely entertaining."
    -Sheila O'Malley, RogerEbert.com

    "A feel-good crowdpleaser - a rousing sports movie about characters trapped by their surroundings and galvanized by their communal spirit."-Eric Kohn, IndieWire

    En el Séptimo Día is an intimate character study, but it’s also an excitingly kinetic film."-Amy Taubin, Art Forum




    • 26 Jul 2018
    • 8:50 PM - 10:40 PM
    • Miami Beach Cinematheque at Historic City Hall, 1130 Washington Ave, South Beach
    • 60
    Register

     

    THU, JULY 26, 8:50p:

    Miami Beach Return Engagement!

    BACK BY POPULAR DEMAND

    For those who missed its

    May premiere engagement…


    Best of Cannes

    (Director’s Fortnight Award)

    THE RIDER

    Directed by CHLOÉ ZHAO/2017/1hr, 44mins

    With Brady Jandreau, Tim Jandreau, Lilly Jandreau,

    Lane Scott and Cat Clifford



    Based on his a true story, THE RIDER stars breakout Brady Jandreau as a once rising star of the rodeo circuit warned that his competition days are over after a tragic riding accident. Back home, Brady finds himself wondering what he has to live for when he can no longer do what gives him a sense of purpose: to ride and compete. In an attempt to regain control of his fate, Brady undertakes a search for new identity and tries to redefine his idea of what it means to be a man in the heartland of America.

    WINNER: Cannes Film Festival Director’s Fortnight Award

    International Cinephile Awards: Best Undistributed film of 2017

    Deuville Film Festival Grand Special Prize


    “THE BEST FILM OF 2017!”-Dana Keith, Miami Beach Cinematheque

    “CRITIC’S PICK: Utilizing a cast of non-actors—most of whom are tasked with playing versions of themselves, in a story pulled from their lives—Zhao’s film derives its power from the truth that both drives and inspires it, and the result is a WHOLLY UNIQUE SLICE OF LIFE DRAMA”-Kate Erbland, IndieWire   


    • 27 Jul 2018
    • 7:00 PM - 8:30 PM
    • Miami Beach Cinematheque at Historic City Hall, 1130 Washington Ave, South Beach
    • 60
    Register

     

    FRI JULY 27, 7p:

    Miami Exclusive Premiere Engagement!

    THE DAY AFTER

    (Geu-hu)

    Directed by HONG SANG-SOO/South Korea/2018/1hr, 30mins.

    With Yunhee Cho, Ki Joabang, Min-hee Kim


    South Korean Master Hong Sangsoo’s 21st feature as director, The Day After, is a mordantly comic tale of infidelity and mistaken identity. Book publisher Bongwan’s (Kwon Haehyo) marriage is on the rocks after his wife (Cho Yunhee) discovers the affair he’s been having with his assistant (Kim Saebyuk). Now that relationship is ending too and Bongwan’s new assistant, the sharp and sensitive Areum (Kim Minhee), on her first day in the office, is left to navigate the fallout of all the turnover in Bongwan’s life. With its ingeniously destabilizing leaps through time and stark black and white cinematography, The Day After begins as a darkly hilarious story of a man embroiled in extramarital entanglements but soon shifts—in a way only Hong can manage—into a heartfelt portrayal of a young woman on a quest for spiritual fulfillment. (In Korean with English subtitles).

    OFFICIAL SELECTION, Cannes, New York, Toronto Film Festivals


    "A lovely, intricately fractured story - past and present seamlessly slip into each other."-Manohla Dargis, The New York Times 

    "The Day After’s outsized, booze-fueled passions are consistently cut by the sly subtleties of Hong’s writing and editing and the film’s restrained formal elegance."-Andréa Picard, Cinema Scope 

    "Ineffably soulful."- David Ehrlich, IndieWire


    • 27 Jul 2018
    • 8:45 PM - 10:35 PM
    • Miami Beach Cinematheque at Historic City Hall, 1130 Washington Ave, South Beach
    • 60
    Register

     

    FRI, JULY 27, 8:45p:

    Miami Beach Return Engagement!

    BACK BY POPULAR DEMAND

    For those who missed its

    May premiere engagement…


    Best of Cannes

    (Director’s Fortnight Award)

    THE RIDER

    Directed by CHLOÉ ZHAO/2017/1hr, 44mins

    With Brady Jandreau, Tim Jandreau, Lilly Jandreau,

    Lane Scott and Cat Clifford



    Based on his a true story, THE RIDER stars breakout Brady Jandreau as a once rising star of the rodeo circuit warned that his competition days are over after a tragic riding accident. Back home, Brady finds himself wondering what he has to live for when he can no longer do what gives him a sense of purpose: to ride and compete. In an attempt to regain control of his fate, Brady undertakes a search for new identity and tries to redefine his idea of what it means to be a man in the heartland of America.

    WINNER: Cannes Film Festival Director’s Fortnight Award

    International Cinephile Awards: Best Undistributed film of 2017

    Deuville Film Festival Grand Special Prize


    “THE BEST FILM OF 2017!”-Dana Keith, Miami Beach Cinematheque

    “CRITIC’S PICK: Utilizing a cast of non-actors—most of whom are tasked with playing versions of themselves, in a story pulled from their lives—Zhao’s film derives its power from the truth that both drives and inspires it, and the result is a WHOLLY UNIQUE SLICE OF LIFE DRAMA”-Kate Erbland, IndieWire   


    • 28 Jul 2018
    • 7:00 PM - 8:45 PM
    • Miami Beach Cinematheque at Historic City Hall, 1130 Washington Ave, South Beach
    • 60
    Register

     

    SAT, JULY 28, 7p:

    Miami Beach Return Engagement!

    BACK BY POPULAR DEMAND

    For those who missed its

    May premiere engagement…


    Best of Cannes

    (Director’s Fortnight Award)

    THE RIDER

    Directed by CHLOÉ ZHAO/2017/1hr, 44mins

    With Brady Jandreau, Tim Jandreau, Lilly Jandreau,

    Lane Scott and Cat Clifford



    Based on his a true story, THE RIDER stars breakout Brady Jandreau as a once rising star of the rodeo circuit warned that his competition days are over after a tragic riding accident. Back home, Brady finds himself wondering what he has to live for when he can no longer do what gives him a sense of purpose: to ride and compete. In an attempt to regain control of his fate, Brady undertakes a search for new identity and tries to redefine his idea of what it means to be a man in the heartland of America.

    WINNER: Cannes Film Festival Director’s Fortnight Award

    International Cinephile Awards: Best Undistributed film of 2017

    Deuville Film Festival Grand Special Prize


    “THE BEST FILM OF 2017!”-Dana Keith, Miami Beach Cinematheque

    “CRITIC’S PICK: Utilizing a cast of non-actors—most of whom are tasked with playing versions of themselves, in a story pulled from their lives—Zhao’s film derives its power from the truth that both drives and inspires it, and the result is a WHOLLY UNIQUE SLICE OF LIFE DRAMA”-Kate Erbland, IndieWire   


    • 28 Jul 2018
    • 8:55 PM - 10:25 PM
    • Miami Beach Cinematheque at Historic City Hall, 1130 Washington Ave, South Beach
    • 60
    Register

     

    SAT, JULY 28, 8:55p:

    Miami Exclusive Premiere Engagement!

    THE DAY AFTER

    (Geu-hu)

    Directed by HONG SANG-SOO/South Korea/2018/1hr, 30mins.

    With Yunhee Cho, Ki Joabang, Min-hee Kim


    South Korean Master Hong Sangsoo’s 21st feature as director, The Day After, is a mordantly comic tale of infidelity and mistaken identity. Book publisher Bongwan’s (Kwon Haehyo) marriage is on the rocks after his wife (Cho Yunhee) discovers the affair he’s been having with his assistant (Kim Saebyuk). Now that relationship is ending too and Bongwan’s new assistant, the sharp and sensitive Areum (Kim Minhee), on her first day in the office, is left to navigate the fallout of all the turnover in Bongwan’s life. With its ingeniously destabilizing leaps through time and stark black and white cinematography, The Day After begins as a darkly hilarious story of a man embroiled in extramarital entanglements but soon shifts—in a way only Hong can manage—into a heartfelt portrayal of a young woman on a quest for spiritual fulfillment. (In Korean with English subtitles).

    OFFICIAL SELECTION, Cannes, New York, Toronto Film Festivals


    "A lovely, intricately fractured story - past and present seamlessly slip into each other."-Manohla Dargis, The New York Times 

    "The Day After’s outsized, booze-fueled passions are consistently cut by the sly subtleties of Hong’s writing and editing and the film’s restrained formal elegance."-Andréa Picard, Cinema Scope 

    "Ineffably soulful."- David Ehrlich, IndieWire


    • 29 Jul 2018
    • 6:00 PM - 7:45 PM
    • Miami Beach Cinematheque at Historic City Hall, 1130 Washington Ave, South Beach
    • 60
    Register

     

    SUN, JULY 29, 7p:

    Miami Beach Return Engagement!

    BACK BY POPULAR DEMAND

    For those who missed its

    May premiere engagement…


    Best of Cannes

    (Director’s Fortnight Award)

    THE RIDER

    Directed by CHLOÉ ZHAO/2017/1hr, 44mins

    With Brady Jandreau, Tim Jandreau, Lilly Jandreau,

    Lane Scott and Cat Clifford



    Based on his a true story, THE RIDER stars breakout Brady Jandreau as a once rising star of the rodeo circuit warned that his competition days are over after a tragic riding accident. Back home, Brady finds himself wondering what he has to live for when he can no longer do what gives him a sense of purpose: to ride and compete. In an attempt to regain control of his fate, Brady undertakes a search for new identity and tries to redefine his idea of what it means to be a man in the heartland of America.

    WINNER: Cannes Film Festival Director’s Fortnight Award

    International Cinephile Awards: Best Undistributed film of 2017

    Deuville Film Festival Grand Special Prize


    “THE BEST FILM OF 2017!”-Dana Keith, Miami Beach Cinematheque

    “CRITIC’S PICK: Utilizing a cast of non-actors—most of whom are tasked with playing versions of themselves, in a story pulled from their lives—Zhao’s film derives its power from the truth that both drives and inspires it, and the result is a WHOLLY UNIQUE SLICE OF LIFE DRAMA”-Kate Erbland, IndieWire   


    • 29 Jul 2018
    • 7:45 PM - 10:25 PM
    • Miami Beach Cinematheque at Historic City Hall, 1130 Washington Ave, South Beach
    • 60
    Register

     

    SUN, JULY 29, 7:45p:

    Miami Exclusive Premiere Engagement!

    THE DAY AFTER

    (Geu-hu)

    Directed by HONG SANG-SOO/South Korea/2018/1hr, 30mins.

    With Yunhee Cho, Ki Joabang, Min-hee Kim


    South Korean Master Hong Sangsoo’s 21st feature as director, The Day After, is a mordantly comic tale of infidelity and mistaken identity. Book publisher Bongwan’s (Kwon Haehyo) marriage is on the rocks after his wife (Cho Yunhee) discovers the affair he’s been having with his assistant (Kim Saebyuk). Now that relationship is ending too and Bongwan’s new assistant, the sharp and sensitive Areum (Kim Minhee), on her first day in the office, is left to navigate the fallout of all the turnover in Bongwan’s life. With its ingeniously destabilizing leaps through time and stark black and white cinematography, The Day After begins as a darkly hilarious story of a man embroiled in extramarital entanglements but soon shifts—in a way only Hong can manage—into a heartfelt portrayal of a young woman on a quest for spiritual fulfillment. (In Korean with English subtitles).

    OFFICIAL SELECTION, Cannes, New York, Toronto Film Festivals


    "A lovely, intricately fractured story - past and present seamlessly slip into each other."-Manohla Dargis, The New York Times 

    "The Day After’s outsized, booze-fueled passions are consistently cut by the sly subtleties of Hong’s writing and editing and the film’s restrained formal elegance."-Andréa Picard, Cinema Scope 

    "Ineffably soulful."- David Ehrlich, IndieWire


    • 01 Aug 2018
    • 7:00 PM - 8:50 PM
    • Miami Beach Cinematheque at Historic City Hall, 1130 Washington Ave, South Beach
    • 60
    Register

     

    WED, AUG 01, 7p:

    MBC Interactive Archive Retrospective:

    Highlights of World Cinema

    THE GOLDEN AGE OF HOLLYWOOD

    1930s

    THE MOST DANGEROUS GAME

    Produced by MERIAN C. COOPER,

    Directed by ERNEST B. SCHOEDSACK & IRVING PICHEL/1932/63mins.

    With Joel McCrea, Fay Wray, Leslie Banks


    US herald for The Most Dangerous Game, 1932. #MBCarchive

    The Most Dangerous Game is a superb, pre-Code action-adventure film. Based upon a famous short story by Richard Connell, it follows big game hunter, Bob Rainsford, (Joel McCrea), as he becomes quarry for another, the opulently deranged Count Zaroff, (floridly played by Leslie Banks). Utilizing some of the amazing sets made for King Kong, the film is sometimes thought of as a place-holder to keep key cast and crew available during Kong's lengthy animation schedule. This included actors Fay Wray, Robert Armstrong, Noble Johnson and Steve Clemento, as well as editor Archie Marshek, composer Max Steiner, sound effects expert Murray Spivak, illustrators Mario Larrinaga and Byron Crabbe, and optical effects wizards Vernon Walker and Linwood Dunn. The strong story and theme, excellent production values, vigorous action and fast pacing make The Most Dangerous Game an exciting and more than satisfying entertainment after eighty years. Both picture and sound are scrupulously restored in high definition from the original 35mm studio fine grain master positive.

    And the short film

    THE PLAY HOUSE

    By BUSTER KEATON and EDWARD F. CLINE/1921/22mins.


    German postcard of Buster Keaton in The Play House, 1921. #MBCarchive 

    Buster Keaton’s Play House is one of the boldest and most daring films ever made by a Hollywood studio, illustrating that the avant-garde was very much in vogue in the mainstream cinema of the 1920s (and into the 1930s). Buster plays a theatre stagehand but also every other character in the film, not to mention having a hand in every detail of the production, in the ultimate display of early auterism. 

    With a sneak-peek at the RKO Studios page of the MBC Interactive Archive Project. The 1930s will be revealed soon! 


    • 01 Aug 2018
    • 9:00 PM - 10:30 PM
    • Miami Beach Cinematheque at Historic City Hall, 1130 Washington Ave, South Beach
    • 60
    Register

     

    WED, AUG 01, 9p:

    Miami Exclusive Premiere Engagement!

    THE DAY AFTER

    (Geu-hu)

    Directed by HONG SANG-SOO/South Korea/2018/1hr, 30mins.

    With Yunhee Cho, Ki Joabang, Min-hee Kim


    South Korean Master Hong Sangsoo’s 21st feature as director, The Day After, is a mordantly comic tale of infidelity and mistaken identity. Book publisher Bongwan’s (Kwon Haehyo) marriage is on the rocks after his wife (Cho Yunhee) discovers the affair he’s been having with his assistant (Kim Saebyuk). Now that relationship is ending too and Bongwan’s new assistant, the sharp and sensitive Areum (Kim Minhee), on her first day in the office, is left to navigate the fallout of all the turnover in Bongwan’s life. With its ingeniously destabilizing leaps through time and stark black and white cinematography, The Day After begins as a darkly hilarious story of a man embroiled in extramarital entanglements but soon shifts—in a way only Hong can manage—into a heartfelt portrayal of a young woman on a quest for spiritual fulfillment. (In Korean with English subtitles).

    OFFICIAL SELECTION, Cannes, New York, Toronto Film Festivals


    "A lovely, intricately fractured story - past and present seamlessly slip into each other."-Manohla Dargis, The New York Times 

    "The Day After’s outsized, booze-fueled passions are consistently cut by the sly subtleties of Hong’s writing and editing and the film’s restrained formal elegance."-Andréa Picard, Cinema Scope 

    "Ineffably soulful."- David Ehrlich, IndieWire


    • 02 Aug 2018
    • 7:00 PM - 8:30 PM
    • Miami Beach Cinematheque at Historic City Hall, 1130 Washington Ave, South Beach
    • 60
    Register

     

    THU, AUG 02, 7p:

    Miami Exclusive Premiere Engagement!

    THE DAY AFTER

    (Geu-hu)

    Directed by HONG SANG-SOO/South Korea/2018/1hr, 30mins.

    With Yunhee Cho, Ki Joabang, Min-hee Kim


    South Korean Master Hong Sangsoo’s 21st feature as director, The Day After, is a mordantly comic tale of infidelity and mistaken identity. Book publisher Bongwan’s (Kwon Haehyo) marriage is on the rocks after his wife (Cho Yunhee) discovers the affair he’s been having with his assistant (Kim Saebyuk). Now that relationship is ending too and Bongwan’s new assistant, the sharp and sensitive Areum (Kim Minhee), on her first day in the office, is left to navigate the fallout of all the turnover in Bongwan’s life. With its ingeniously destabilizing leaps through time and stark black and white cinematography, The Day After begins as a darkly hilarious story of a man embroiled in extramarital entanglements but soon shifts—in a way only Hong can manage—into a heartfelt portrayal of a young woman on a quest for spiritual fulfillment. (In Korean with English subtitles).

    OFFICIAL SELECTION, Cannes, New York, Toronto Film Festivals


    "A lovely, intricately fractured story - past and present seamlessly slip into each other."-Manohla Dargis, The New York Times 

    "The Day After’s outsized, booze-fueled passions are consistently cut by the sly subtleties of Hong’s writing and editing and the film’s restrained formal elegance."-Andréa Picard, Cinema Scope 

    "Ineffably soulful."- David Ehrlich, IndieWire


    • 02 Aug 2018
    • 8:45 PM - 10:35 PM
    • Miami Beach Cinematheque at Historic City Hall, 1130 Washington Ave, South Beach
    • 60
    Register

     

    THU, AUG 02, 8:45p:

    Miami Beach Return Engagement!

    BACK BY POPULAR DEMAND

    For those who missed its

    May premiere engagement…


    Best of Cannes

    (Director’s Fortnight Award)

    THE RIDER

    Directed by CHLOÉ ZHAO/2017/1hr, 44mins

    With Brady Jandreau, Tim Jandreau, Lilly Jandreau,

    Lane Scott and Cat Clifford



    Based on his a true story, THE RIDER stars breakout Brady Jandreau as a once rising star of the rodeo circuit warned that his competition days are over after a tragic riding accident. Back home, Brady finds himself wondering what he has to live for when he can no longer do what gives him a sense of purpose: to ride and compete. In an attempt to regain control of his fate, Brady undertakes a search for new identity and tries to redefine his idea of what it means to be a man in the heartland of America.

    WINNER: Cannes Film Festival Director’s Fortnight Award

    International Cinephile Awards: Best Undistributed film of 2017

    Deuville Film Festival Grand Special Prize


    “THE BEST FILM OF 2017!”-Dana Keith, Miami Beach Cinematheque

    “CRITIC’S PICK: Utilizing a cast of non-actors—most of whom are tasked with playing versions of themselves, in a story pulled from their lives—Zhao’s film derives its power from the truth that both drives and inspires it, and the result is a WHOLLY UNIQUE SLICE OF LIFE DRAMA”-Kate Erbland, IndieWire   


    • 03 Aug 2018
    • 7:00 PM - 8:50 PM
    • Miami Beach Cinematheque at Historic City Hall, 1130 Washington Ave, South Beach
    • 60
    Register

     

    FRI AUG 03, 7p:

    Miami Premiere Engagement!

    THE KING

    Documentary directed by EUGENE JARECKI/2018/1hr, 47mins.

    Executive Producer Steven Soderbergh


    The Cross-Country Road Trip of a Lifetime Traces Elvis's Path from Tupelo, Mississippi to Las Vegas and Beyond.

    Eugene Jarecki is an Emmy and Peabody award-winning director of dramatic and documentary subjects who has twice won the Grand Jury Prize at the Sundance Film Festival, first in 2005 for Why We Fight (2005) and again in 2012 for The House I Live In (2012).

    OFFICIAL SELECTION: Cannes Film Festival

    Sundance Film Festival

    “WILDLY AMBITIOUS, THROUGHLY ENTERTAINING and embellished with some snaky moves, Eugene Jarecki’s documentary THE KING is a lot like its nominal subject, Elvis Presley.” 
    Manohla Dargis, THE NEW YORK TIMES

    “Perceptive, probing and ultimately devastating, THE KING is for anyone who cares about where this country has been and where it’s headed...THE FILM’S FINAL MINUTES COME TO YOU LIKE A LIGHTENING BOLT.”
     —Stephanie Zacharek, TIME

    “By the end we’re looking at Elvis, America and ourselves with new eyes.”
    Peter Travers, ROLLING STONE

    “If you think Eugene Jarecki’s fascinating and provocative new documentary, THE KING, is just another biopic on Elvis Presley, you should think again.”—Pete Hammond, DEADLINE


    • 03 Aug 2018
    • 9:05 PM - 10:50 PM
    • Miami Beach Cinematheque at Historic City Hall, 1130 Washington Ave, South Beach
    • 60
    Register

     

    FRI, AUG 03, 9:05p:

    Miami Premiere Engagement!

    THE KING

    Documentary directed by EUGENE JARECKI/2018/1hr, 47mins.

    Executive Producer Steven Soderbergh


    The Cross-Country Road Trip of a Lifetime Traces Elvis's Path from Tupelo, Mississippi to Las Vegas and Beyond.

    Eugene Jarecki is an Emmy and Peabody award-winning director of dramatic and documentary subjects who has twice won the Grand Jury Prize at the Sundance Film Festival, first in 2005 for Why We Fight (2005) and again in 2012 for The House I Live In (2012).

    OFFICIAL SELECTION: Cannes Film Festival

    Sundance Film Festival

    “WILDLY AMBITIOUS, THROUGHLY ENTERTAINING and embellished with some snaky moves, Eugene Jarecki’s documentary THE KING is a lot like its nominal subject, Elvis Presley.” 
    Manohla Dargis, THE NEW YORK TIMES

    “Perceptive, probing and ultimately devastating, THE KING is for anyone who cares about where this country has been and where it’s headed...THE FILM’S FINAL MINUTES COME TO YOU LIKE A LIGHTENING BOLT.”
     —Stephanie Zacharek, TIME

    “By the end we’re looking at Elvis, America and ourselves with new eyes.”
    Peter Travers, ROLLING STONE

    “If you think Eugene Jarecki’s fascinating and provocative new documentary, THE KING, is just another biopic on Elvis Presley, you should think again.”—Pete Hammond, DEADLINE


    • 04 Aug 2018
    • 5:00 PM - 6:30 PM
    • Miami Beach Cinematheque at Historic City Hall, 1130 Washington Ave, South Beach
    • 60
    Register


    SAT, AUG 04, 5p:

    Miami Premiere Engagement!

    International Ballet Festival of Miami

    RESTLESS CREATURE

    Wendy Whelan

    Documentary directed by LINDA SAFFIRE, ADAM SCHLESINGER,

    2017/1hr, 30mins.


    RESTLESS  CREATURE:  WENDY  WHELAN offers  an  intimate  portrait  of  prima  ballerina Wendy  Whelan  as  she  prepares  to  leave  New  York  City  Ballet  after  a  record-setting three  decades  with  the  company.  One  of  the  modern  era’s  most  acclaimed  dancers, Whelan was a principal ballerina for NYCB and, over the course of her celebrated career, danced  numerous  ballets  by  George  Balanchine  and  Jerome  Robbins,  as  well  as  new works by more modern standout choreographers like Christopher Wheeldon and Alexei Ratmansky; many roles were made specifically for Whelan. As the film opens, Whelan is 46,  battling  a  painful  injury  that  has  kept  her  from  the  ballet  stage,  and  facing  the prospect  of her  impending  retirement  from  the  company. What  we  see,  as  we  journey with  her,  is  a  woman  of  tremendous  strength,  resilience  and  good  humor.  We  watch Whelan  brave  the  surgery  that  she  hopes  will  enable  her  comeback to  NYCB  and  we watch her begin to  explore the world of contemporary dance, as she  steps outside the traditionally  patriarchal  world  of  ballet  to  create Restless  Creature,  a  collection  of  four contemporary vignettes forged in collaboration with four young choreographers.

    "TRIUMPHANT. The film is inspiring."-The Hollywood Reporter
    "Ballet connoisseurs will find 
    Restless Creature captivating, yet the uninitiated need not shy away from it... Whelan emerges as both relatable and remarkable."-Film Journal



    • 04 Aug 2018
    • 7:00 PM - 8:50 PM
    • Miami Beach Cinematheque at Historic City Hall, 1130 Washington Ave, South Beach
    • 60
    Register

     

    SAT, AUG 04, 7p:

    Miami Premiere Engagement!

    THE KING

    Documentary directed by EUGENE JARECKI/2018/1hr, 47mins.

    Executive Producer Steven Soderbergh


    The Cross-Country Road Trip of a Lifetime Traces Elvis's Path from Tupelo, Mississippi to Las Vegas and Beyond.

    Eugene Jarecki is an Emmy and Peabody award-winning director of dramatic and documentary subjects who has twice won the Grand Jury Prize at the Sundance Film Festival, first in 2005 for Why We Fight (2005) and again in 2012 for The House I Live In (2012).

    OFFICIAL SELECTION: Cannes Film Festival

    Sundance Film Festival

    “WILDLY AMBITIOUS, THROUGHLY ENTERTAINING and embellished with some snaky moves, Eugene Jarecki’s documentary THE KING is a lot like its nominal subject, Elvis Presley.” 
    Manohla Dargis, THE NEW YORK TIMES

    “Perceptive, probing and ultimately devastating, THE KING is for anyone who cares about where this country has been and where it’s headed...THE FILM’S FINAL MINUTES COME TO YOU LIKE A LIGHTENING BOLT.”
     —Stephanie Zacharek, TIME

    “By the end we’re looking at Elvis, America and ourselves with new eyes.”
    Peter Travers, ROLLING STONE

    “If you think Eugene Jarecki’s fascinating and provocative new documentary, THE KING, is just another biopic on Elvis Presley, you should think again.”—Pete Hammond, DEADLINE


    • 04 Aug 2018
    • 9:05 PM - 10:50 PM
    • Miami Beach Cinematheque at Historic City Hall, 1130 Washington Ave, South Beach
    • 60
    Register

     

    SAT, AUG 04, 9:05p:

    Miami Premiere Engagement!

    THE KING

    Documentary directed by EUGENE JARECKI/2018/1hr, 47mins.

    Executive Producer Steven Soderbergh


    The Cross-Country Road Trip of a Lifetime Traces Elvis's Path from Tupelo, Mississippi to Las Vegas and Beyond.

    Eugene Jarecki is an Emmy and Peabody award-winning director of dramatic and documentary subjects who has twice won the Grand Jury Prize at the Sundance Film Festival, first in 2005 for Why We Fight (2005) and again in 2012 for The House I Live In (2012).

    OFFICIAL SELECTION: Cannes Film Festival

    Sundance Film Festival

    “WILDLY AMBITIOUS, THROUGHLY ENTERTAINING and embellished with some snaky moves, Eugene Jarecki’s documentary THE KING is a lot like its nominal subject, Elvis Presley.” 
    Manohla Dargis, THE NEW YORK TIMES

    “Perceptive, probing and ultimately devastating, THE KING is for anyone who cares about where this country has been and where it’s headed...THE FILM’S FINAL MINUTES COME TO YOU LIKE A LIGHTENING BOLT.”
     —Stephanie Zacharek, TIME

    “By the end we’re looking at Elvis, America and ourselves with new eyes.”
    Peter Travers, ROLLING STONE

    “If you think Eugene Jarecki’s fascinating and provocative new documentary, THE KING, is just another biopic on Elvis Presley, you should think again.”—Pete Hammond, DEADLINE


    • 05 Aug 2018
    • 4:00 PM - 5:30 PM
    • Miami Beach Cinematheque at Historic City Hall, 1130 Washington Ave, South Beach
    • 60
    Register


    SUN, AUG 05, 4p:

    Miami Premiere Engagement!

    International Ballet Festival of Miami

    RESTLESS CREATURE

    Wendy Whelan

    Documentary directed by LINDA SAFFIRE, ADAM SCHLESINGER,

    2017/1hr, 30mins.


    RESTLESS  CREATURE:  WENDY  WHELAN offers  an  intimate  portrait  of  prima  ballerina Wendy  Whelan  as  she  prepares  to  leave  New  York  City  Ballet  after  a  record-setting three  decades  with  the  company.  One  of  the  modern  era’s  most  acclaimed  dancers, Whelan was a principal ballerina for NYCB and, over the course of her celebrated career, danced  numerous  ballets  by  George  Balanchine  and  Jerome  Robbins,  as  well  as  new works by more modern standout choreographers like Christopher Wheeldon and Alexei Ratmansky; many roles were made specifically for Whelan. As the film opens, Whelan is 46,  battling  a  painful  injury  that  has  kept  her  from  the  ballet  stage,  and  facing  the prospect  of her  impending  retirement  from  the  company. What  we  see,  as  we  journey with  her,  is  a  woman  of  tremendous  strength,  resilience  and  good  humor.  We  watch Whelan  brave  the  surgery  that  she  hopes  will  enable  her  comeback to  NYCB  and  we watch her begin to  explore the world of contemporary dance, as she  steps outside the traditionally  patriarchal  world  of  ballet  to  create Restless  Creature,  a  collection  of  four contemporary vignettes forged in collaboration with four young choreographers.

    "TRIUMPHANT. The film is inspiring."-The Hollywood Reporter
    "Ballet connoisseurs will find 
    Restless Creature captivating, yet the uninitiated need not shy away from it... Whelan emerges as both relatable and remarkable."-Film Journal



    • 05 Aug 2018
    • 6:00 PM - 7:50 PM
    • Miami Beach Cinematheque at Historic City Hall, 1130 Washington Ave, South Beach
    • 60
    Register

     

    SUN, AUG 05, 6p:

    Miami Premiere Engagement!

    THE KING

    Documentary directed by EUGENE JARECKI/2018/1hr, 47mins.

    Executive Producer Steven Soderbergh


    The Cross-Country Road Trip of a Lifetime Traces Elvis's Path from Tupelo, Mississippi to Las Vegas and Beyond.

    Eugene Jarecki is an Emmy and Peabody award-winning director of dramatic and documentary subjects who has twice won the Grand Jury Prize at the Sundance Film Festival, first in 2005 for Why We Fight (2005) and again in 2012 for The House I Live In (2012).

    OFFICIAL SELECTION: Cannes Film Festival

    Sundance Film Festival

    “WILDLY AMBITIOUS, THROUGHLY ENTERTAINING and embellished with some snaky moves, Eugene Jarecki’s documentary THE KING is a lot like its nominal subject, Elvis Presley.” 
    Manohla Dargis, THE NEW YORK TIMES

    “Perceptive, probing and ultimately devastating, THE KING is for anyone who cares about where this country has been and where it’s headed...THE FILM’S FINAL MINUTES COME TO YOU LIKE A LIGHTENING BOLT.”
     —Stephanie Zacharek, TIME

    “By the end we’re looking at Elvis, America and ourselves with new eyes.”
    Peter Travers, ROLLING STONE

    “If you think Eugene Jarecki’s fascinating and provocative new documentary, THE KING, is just another biopic on Elvis Presley, you should think again.”—Pete Hammond, DEADLINE


    • 05 Aug 2018
    • 8:05 PM - 9:50 PM
    • Miami Beach Cinematheque at Historic City Hall, 1130 Washington Ave, South Beach
    • 60
    Register

     

    SUN, AUG 05, 8:05p:

    Miami Premiere Engagement!

    THE KING

    Documentary directed by EUGENE JARECKI/2018/1hr, 47mins.

    Executive Producer Steven Soderbergh


    The Cross-Country Road Trip of a Lifetime Traces Elvis's Path from Tupelo, Mississippi to Las Vegas and Beyond.

    Eugene Jarecki is an Emmy and Peabody award-winning director of dramatic and documentary subjects who has twice won the Grand Jury Prize at the Sundance Film Festival, first in 2005 for Why We Fight (2005) and again in 2012 for The House I Live In (2012).

    OFFICIAL SELECTION: Cannes Film Festival

    Sundance Film Festival

    “WILDLY AMBITIOUS, THROUGHLY ENTERTAINING and embellished with some snaky moves, Eugene Jarecki’s documentary THE KING is a lot like its nominal subject, Elvis Presley.” 
    Manohla Dargis, THE NEW YORK TIMES

    “Perceptive, probing and ultimately devastating, THE KING is for anyone who cares about where this country has been and where it’s headed...THE FILM’S FINAL MINUTES COME TO YOU LIKE A LIGHTENING BOLT.”
     —Stephanie Zacharek, TIME

    “By the end we’re looking at Elvis, America and ourselves with new eyes.”
    Peter Travers, ROLLING STONE

    “If you think Eugene Jarecki’s fascinating and provocative new documentary, THE KING, is just another biopic on Elvis Presley, you should think again.”—Pete Hammond, DEADLINE


    • 08 Aug 2018
    • 7:00 PM - 8:50 PM
    • Miami Beach Cinematheque at Historic City Hall, 1130 Washington Ave, South Beach
    • 60
    Register

     

    WED, AUG 08, 7p:

    Miami Premiere Engagement!

    THE KING

    Documentary directed by EUGENE JARECKI/2018/1hr, 47mins.

    Executive Producer Steven Soderbergh


    The Cross-Country Road Trip of a Lifetime Traces Elvis's Path from Tupelo, Mississippi to Las Vegas and Beyond.

    Eugene Jarecki is an Emmy and Peabody award-winning director of dramatic and documentary subjects who has twice won the Grand Jury Prize at the Sundance Film Festival, first in 2005 for Why We Fight (2005) and again in 2012 for The House I Live In (2012).

    OFFICIAL SELECTION: Cannes Film Festival

    Sundance Film Festival

    “WILDLY AMBITIOUS, THROUGHLY ENTERTAINING and embellished with some snaky moves, Eugene Jarecki’s documentary THE KING is a lot like its nominal subject, Elvis Presley.” 
    Manohla Dargis, THE NEW YORK TIMES

    “Perceptive, probing and ultimately devastating, THE KING is for anyone who cares about where this country has been and where it’s headed...THE FILM’S FINAL MINUTES COME TO YOU LIKE A LIGHTENING BOLT.”
     —Stephanie Zacharek, TIME

    “By the end we’re looking at Elvis, America and ourselves with new eyes.”
    Peter Travers, ROLLING STONE

    “If you think Eugene Jarecki’s fascinating and provocative new documentary, THE KING, is just another biopic on Elvis Presley, you should think again.”—Pete Hammond, DEADLINE


    • 08 Aug 2018
    • 9:05 PM - 10:50 PM
    • Miami Beach Cinematheque at Historic City Hall, 1130 Washington Ave, South Beach
    • 60
    Register

     

    WED, AUG 08, 9:05p:

    Miami Premiere Engagement!

    THE KING

    Documentary directed by EUGENE JARECKI/2018/1hr, 47mins.

    Executive Producer Steven Soderbergh


    The Cross-Country Road Trip of a Lifetime Traces Elvis's Path from Tupelo, Mississippi to Las Vegas and Beyond.

    Eugene Jarecki is an Emmy and Peabody award-winning director of dramatic and documentary subjects who has twice won the Grand Jury Prize at the Sundance Film Festival, first in 2005 for Why We Fight (2005) and again in 2012 for The House I Live In (2012).

    OFFICIAL SELECTION: Cannes Film Festival

    Sundance Film Festival

    “WILDLY AMBITIOUS, THROUGHLY ENTERTAINING and embellished with some snaky moves, Eugene Jarecki’s documentary THE KING is a lot like its nominal subject, Elvis Presley.” 
    Manohla Dargis, THE NEW YORK TIMES

    “Perceptive, probing and ultimately devastating, THE KING is for anyone who cares about where this country has been and where it’s headed...THE FILM’S FINAL MINUTES COME TO YOU LIKE A LIGHTENING BOLT.”
     —Stephanie Zacharek, TIME

    “By the end we’re looking at Elvis, America and ourselves with new eyes.”
    Peter Travers, ROLLING STONE

    “If you think Eugene Jarecki’s fascinating and provocative new documentary, THE KING, is just another biopic on Elvis Presley, you should think again.”—Pete Hammond, DEADLINE


    • 09 Aug 2018
    • 7:00 PM - 8:50 PM
    • Miami Beach Cinematheque at Historic City Hall, 1130 Washington Ave, South Beach
    • 60
    Register

     

    THU, AUG 09, 7p:

    Miami Premiere Engagement!

    THE KING

    Documentary directed by EUGENE JARECKI/2018/1hr, 47mins.

    Executive Producer Steven Soderbergh


    The Cross-Country Road Trip of a Lifetime Traces Elvis's Path from Tupelo, Mississippi to Las Vegas and Beyond.

    Eugene Jarecki is an Emmy and Peabody award-winning director of dramatic and documentary subjects who has twice won the Grand Jury Prize at the Sundance Film Festival, first in 2005 for Why We Fight (2005) and again in 2012 for The House I Live In (2012).

    OFFICIAL SELECTION: Cannes Film Festival

    Sundance Film Festival

    “WILDLY AMBITIOUS, THROUGHLY ENTERTAINING and embellished with some snaky moves, Eugene Jarecki’s documentary THE KING is a lot like its nominal subject, Elvis Presley.” 
    Manohla Dargis, THE NEW YORK TIMES

    “Perceptive, probing and ultimately devastating, THE KING is for anyone who cares about where this country has been and where it’s headed...THE FILM’S FINAL MINUTES COME TO YOU LIKE A LIGHTENING BOLT.”
     —Stephanie Zacharek, TIME

    “By the end we’re looking at Elvis, America and ourselves with new eyes.”
    Peter Travers, ROLLING STONE

    “If you think Eugene Jarecki’s fascinating and provocative new documentary, THE KING, is just another biopic on Elvis Presley, you should think again.”—Pete Hammond, DEADLINE


    • 09 Aug 2018
    • 9:05 PM - 10:50 PM
    • Miami Beach Cinematheque at Historic City Hall, 1130 Washington Ave, South Beach
    • 60
    Register

     

    THU, AUG 09, 9:05p:

    Miami Premiere Engagement!

    THE KING

    Documentary directed by EUGENE JARECKI/2018/1hr, 47mins.

    Executive Producer Steven Soderbergh


    The Cross-Country Road Trip of a Lifetime Traces Elvis's Path from Tupelo, Mississippi to Las Vegas and Beyond.

    Eugene Jarecki is an Emmy and Peabody award-winning director of dramatic and documentary subjects who has twice won the Grand Jury Prize at the Sundance Film Festival, first in 2005 for Why We Fight (2005) and again in 2012 for The House I Live In (2012).

    OFFICIAL SELECTION: Cannes Film Festival

    Sundance Film Festival

    “WILDLY AMBITIOUS, THROUGHLY ENTERTAINING and embellished with some snaky moves, Eugene Jarecki’s documentary THE KING is a lot like its nominal subject, Elvis Presley.” 
    Manohla Dargis, THE NEW YORK TIMES

    “Perceptive, probing and ultimately devastating, THE KING is for anyone who cares about where this country has been and where it’s headed...THE FILM’S FINAL MINUTES COME TO YOU LIKE A LIGHTENING BOLT.”
     —Stephanie Zacharek, TIME

    “By the end we’re looking at Elvis, America and ourselves with new eyes.”
    Peter Travers, ROLLING STONE

    “If you think Eugene Jarecki’s fascinating and provocative new documentary, THE KING, is just another biopic on Elvis Presley, you should think again.”—Pete Hammond, DEADLINE


    • 10 Aug 2018
    • 7:00 PM - 8:50 PM
    • Miami Beach Cinematheque at Historic City Hall, 1130 Washington Ave, South Beach
    • 60
    Register